RED DSMC V5.2 Especificações Página 72

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COPYRIGHT © 2014 RED.COM, INC
RED DSMC OPERATION GUIDE
955-0020_V5.2, REV-C | 72
the exposure to the longest exposure possible for the frame rate. To maintain consistent exposure throughout
the recording, select an exposure that is valid at all ramp target frame rates.
EXTERNAL RECORD ONLY
This mode allows for external recording only. That is, the recording is NOT saved to the camera’s SSD, and
external recording is blocked if an SSD is mounted to the camera. An external recorder is required and can be
triggered automatically via HD-SDI (if supported by the recorder).
FRAME PROCESSING
NOTE: The Frame Processing screen is not accessible on any EPIC DRAGON or SCARLET-X DRAGON.
NOTE: Frame processing is not supported in Speed Ramp Mode. For more information about ramping, go to
“Speed Ramp Mode” on page 71.
Frame processing allows for the combination of multiple captured frames into one recorded frame. The com-
bination occurs before the resultant frame is encoded. You can select the following frame processing settings:
No Frame Processing, Frame Summing, Frame Averaging.
When in Frame Summing mode or Frame Averaging mode, the current integration time is applied to each frame.
This means if the integration time is not the entire frame time (or 360 degrees) there will be gaps between the
images used to create the combined frame. This may lead to unexpected motion artifacts.
The effect of frame processing is only visible during record. In Frame Summing mode, this means the exposure
will change between preview and record. You may have to experiment with your exposure and frame processing
settings before you achieve the effect you want.
NO FRAME PROCESSING
Normal frame processing mode. The Frames to Process selection does not affect your recording.
FRAME SUMMING
Combines the specified number of frames into one frame, and adds together the exposure time for each of the
original frames. The resultant frame has an effective integration time that is equal to the current integration time
multiplied by the number of frames.
For example, if you select 16 as your Frames to Process value, and set your exposure to 1/48 sec, your result-
ing image has an effective integration time of 1/3 sec (16 x 1/48).
Frame summing results in a final image that is brighter and possibly blurrier than any of the original frames, so
you can use frame summing to achieve the effect of long-exposure.
FRAME AVERAGING
Combines the specified number of frames into one frame, and averages the exposure time for each of the origi-
nal frames. The resultant frame has an effective integration time that is equal to the current integration time.
For example, if you select 16 as your Frames to Process value, and set your exposure to 1/48 sec, your result-
ing image still has the exposure value of 1/48 sec, along with the effect of long-exposure.
You can use frame averaging to achieve the effect of long-exposure along with the benefits of reduced noise.
However, frame averaging does affect motion blur characteristics.
PRE-RECORD
When enabled, the Pre-Record setting continuously captures a cache of footage before you start recording.
You can select to have 4–30 seconds (incremented at two second intervals) of pre-record time added to your
actual footage.
When Pre-Record is enabled, you won’t miss the start of a shot by being a little slow on the trigger.
Pre-Record Duration: Select the pre-record time.
Always trigger Pre-Record before recording: When selected, Pre-Record will always be activated when you
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