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Build 31 v31.6.16
NOVEMBER 28, 2011 © 2007-2011 RED.COM INC.
51
AUDIO / VIDEO MENU CONTROLS
This section describes monitor path parameters such as viewfinder, and RGB color and gains. These pa-
rameters are accessed from the VIDEO menu access key.
Available sub menus include VIEW, VIDEO, VIEWFINDER, AUDIO and HEADPHONE. To access the AV
MENU push the VIDEO menu button on the rear of the camera. To enter the available sub-menus, use the
joystick to highlight the desired selection and push joystick in or down.
VIEW
The VIEW sub menu allows the user to choose the mode of monitor path image processing. Choices are
RAW and REDcolor. To adjust: Select VIEW and twist joystick to change the highlighted COLOR box to
the desired setting. Default setting is REDcolor.
RAW
Monitor path image represents the RAW sensor data, bypassing the color matrix. The corresponding view
will be displayed at the top of the screen.
REDCOLOR
Monitor path image processing uses REDcolor tonal response curve (default). The corresponding view will
be displayed at the top of the screen.
VIDEO
The four available submenus are LOOK, COLOR, GAIN, TONE and FLUT.
NOTE: Color and Gain and Tone values used by the monitor path are stored as metadata for use in
REDCODE RAW compatible image processing applications. They can be used to visualize a specif-
ic color “look” but do not affect the REDCODE RAW recorded data.
- TABLE OF CONTENTS 2
- DISCLAIMER 4
- JAPAN STATEMENTS 5
- BEFORE YOU START 6
- THEORY OF OPERATION 9
- IMAGE PROCESSING 10
- AUDIO RECORDING 10
- LINE LEVEL INPUTS 10
- MICROPHONE LEVEL INPUTS 10
- VIDEO MONITORING OUTPUTS 11
- RED EVF / BOMB EVF / RED LCD 12
- RECORD INDICATOR 13
- DIGITAL MAGAZINES 14
- POWER CONSUMPTION 16
- CAMERA CONTROLS 17
- A B C D 18
- JOYSTICK OPERATION 20
- POWER ON / OFF SWITCH 21
- CAMERA CONNECTORS 22
- CAMERA DISPLAYS 24
- RED EVF 25
- BOMB EVF 26
- RED LCD 27
- BASIC OPERATION 30
- CONNECTING MEDIA 33
- PROJECT SETUP 34
- RECORDING 35
- PLAYBACK 36
- BACK FOCUS ADJUSTMENT 37
- SENSOR MENU CONTROLS 39
- COLOR TEMP 40
- the programmed or cal 42
- the programmed or 42
- SHUTTER MENU 43
- VARISPEED 46
- FRAME RATE 47
- TIME-LAPSE 49
- STEP PRINT 51
- INTERVAL 51
- BURST TYPE 51
- AUDIO / VIDEO MENU CONTROLS 52
- VIEWFINDER MENU 57
- ASSISTS 64
- OPEN GATE 70
- HEADPHONE 71
- VOLUME (MASTER) 72
- VOLUME LEFT 72
- VOLUME RIGHT 72
- SYSTEM MENU CONTROLS 73
- 48V MIC 74
- PRE-RECORD 74
- UNMOUNT 76
- PROJECT 77
- CONFIGURE 80
- RESOLUTION 80
- TIMECODE 83
- MONITOR 85
- FRAME GUIDE 86
- PREVIEW 90
- TEST SIGNAL 90
- EVF REFRESH 92
- PREFERENCES 93
- Build 31 v31.6.16 100
- MAINTENANCE 102
- BLACK SHADING 103
- SETTING SYSTEM CLOCK 108
- PROGRAM 111
- UPGRADE PROCEDURE 116
- MEDIA TYPES 119
- FORMATTING MEDIA 119
- SYSTEM menu button 121
- RE-FORMATTING MEDIA 122
- PROCEDURE A 124
- PROCEDURE B 124
- COPYING MEDIA 125
- ERASING MEDIA USING WINDOWS 126
- EXPORT LOOK 127
- USER PROFILE 128
- DATA NOT SAVED DURING EXPORT 129
- RIGHT SIDE OF CAMERA 130
- AUX / RS232 PORT 131
- MONITOR (RED LCD) INTERFACE 132
- LINE AUDIO OUTPUT 134
- HEADPHONE AUDIO OUTPUT 134
- USB-2 MASTER 135
- USB-2 SLAVE 135
- GENLOCK INPUT 136
- PROGRAM (DUAL-LINK) HD-SDI 136
- PREVIEW HD-SDI 137
- REAR OF CAMERA 138
- DC POWER INPUT 139
- DRIVE INTERFACE 139
- AUXILIARY POWER OUTPUTS 140
- PREPARATION 141
- CONNECTING 142
- OPERATION 143
- for the Slave camera 144
- CLIP NAMING CONVENTIONS 145
- UNDEREXPOSURE (~ 2 STOPS) 146
- OVEREXPOSURE (~ 2 STOPS) 148
- APPROPRIATE EXPOSURE 150
- ADJUSTING THE ISO RATING 152
- APPENDIX G: POST PRODUCTION 154
- RED QUICKTIMECODEC 155
- REDCINE-X® 156
- ©2010 RED.COM, INC 161
- SHEET 1 OF 1 161
- SHEET 1 OF 3 162
- SHEET 2 OF 3 163
- MENU MAP 163
- SHEET 3 OF 3 164
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